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Region of Origin:Israel
Artist:Zigi Ben-Haim
Production Technique:Mixed Media and Collage
Framing:Matted & Framed
Style:Contemporary Art
Material:Oil,Graphite,Paper,Collage
Type:Painting
Title:Desert Beauty
Features:One of a Kind (OOAK)
Subject:Landscape
Year of Production:2000
Original/Licensed Reproduction:Original
Unit of Sale:Single Piece
Zigi Ben-Haim born 1945, Baghdad, Iraq Desert Beauty, 2000 Original Hand-Signed Mixed Media Painting – Dated 2000 Artist Name: Zigi Ben-Haim Title: Desert beauty Signature Description: Hand-signed in English and dated “2000” lower right Technique: Oil Paint, graphite, and collage on paperImage Size: 35 x 43 cm / 13.78″ x 16.93″ inch Frame: The painting is matted and framed Condition: Very good condition Artist’s Biography: Zigi Ben-Haim (born 1945 in Baghdad, Iraq) is an American-Israeli sculptor and painter who lives and works in New York and Israel. His works are included and exhibited in numerous public and private collections around the world, including the Guggenheim, the Jewish Museum, the Brooklyn Museum, the Israel Museum, and the Tel-Aviv Museum. Lives and works in Soho, New York, United States and Tel-Aviv, Israel. ZIGI BEN-HAIM is an Israeli painter, sculptor, and collage artist. He was born in Baghdad, Iraq in 1945. At the age of five his family fled the country to Israel via Iran. He spent most of his adolescence in Tel-Aviv and studied at The Avni Institute of Fine Arts from 1966 to 1970. After moving to the United States, Ben-Haim enrolled in the California College of Arts & Crafts in 1971 and received M.A. from J.F.K. University in 1973 and M.F.A from the San Francisco State University in 1974.In the early 1970s, Ben-Haim used discarded newsprints and industrial paper, which he found on the streets of SoHo, to construct his formations in paper, three-dimensional paintings, collages, and sculptures. Many of these works are in collections of museums around the world. In the early 1990s, industrial aluminum material replaced the found paper. He has been creating paintings, three-dimensional installations, indoor, and outdoor sculptures until today. From time to time, he finds himself experimenting with other materials like concrete, film, ropes, and burlap to make his conceptual point. — creating footprints of culture and nature as they collide and coincide to form a new experience. In 1975 he became a U.S. citizen, and has been living and working in lower Manhattan, SoHo, ever since. Zigi Ben-Haim received many awards and grants from institutions including the Pollock-Krasner Foundation, National Endowments for the Arts, New York State Council on the Arts, The German Academic Exchange Service (DAAD), Emily Harvy Foundation Venice, Muestra Int. de Obra Grafica (Spain) and the Ministry of Culture in Israel. His works are included and exhibited in numerous public and private collections around the world, including the Guggenheim Museum in New York City, The Jewish Museum, the Brooklyn Museum, The Israel Museum and the Tel-Aviv Museum of Art.Education 1972-74 M.F.A., San Francisco State University, San Francisco, California, USA. 1972-73 M.A., J.F.K. University, Orinda, California, USA. 1971 California College of Arts & Crafts, Oakland, California, USA. 1966-70 The Avni Institute of Fine Arts, Tel-Aviv, Israel.Grants & Awards 2015-16 National Art & Culture Legacy Program – ArtCart, NYC. 2013 Pollock Krasner Foundation Grant. 2007-08 The Emily Harvey Foundation, Fellowship to Venice, Italy. 2004 DAAD Fellowship to Berlin, Germany. 2000 Niche Award for Sculpture. 1996 Pollock Krasner Foundation Grant. 1991 Guest Artist Fellowship, Artists Union, U.S.S.R. 1990 Pollack Krasner Foundation Grant. 1990 MacDowell Colony Residency, NH, USA. 1984 National Endowment for the Arts. 1983 New York State Council on the Arts, A.R.E.A. Project. 1982 Muestra Int. do Obra Grafica, Bilbao, Spain. 1970 Ministry of Culture, Israel. 1966-70 America Israel Culture Foundation, Israel. How I got here: being a Jew in Baghdad wasn’t safe any more The Guardian, Tue 22 Mar 2016After fleeing Iraq via Iran in the 1940s, Zigi Ben-Haim spent his youth in Tel Aviv until the hippy culture of America called himI was born in Baghdad, Iraq, in 1945. When I was four, it started to get dangerous for my parents to continue to live there. The authorities were after my father. This forced us to leave the country in a hurry. To make sure our house help wouldn’t suspect our plans, we made the breakfast table look as if we were ready to eat in the morning. But by time the sun rose, we were gone.We escaped our house through a hole we dug under the exterior walls the night before. Leaving through the main door would have aroused too much suspicion. A car was waiting to take us away when we crawled out. We left behind our property, all our possessions and wealth. The smuggler was well- paid. He added us to a group of Shia pilgrims who were on their way to a shrine on the Iraqi-Iranian border. The trip lasted five days and was marked by extreme tension and fear.My parents were in disguise and my brother and I had several pants and shirts on top of each other since we couldn’t carry any luggage – all our clothes were on our backs. We were forbidden to speak in front of others, so as not to reveal our real identity. We were escaping Jews.We managed to enter Iran. My father was held by the Iranian authorities and we had to stay in Tehran for about one year. I remember being fascinated by the wedding of the Shah, which I watched from the window of the hotel. I still see clearly the carriage with white horses in which he was sitting.My parents never spoke about this experience.From Iran we flew legally to Israel, a country that was still a “work in progress”. I went to school there and, after graduating, served in the army for three years. As long as I can remember, I was always interested in the creative process. In 1970, I enrolled into an art school – the Avni Art Institute in Tel Aviv – and throughout the four years of my studies I received a scholarship from the America Israel Cultural Foundation.I didn’t have well-off parents to depend on, the economy in Israel was in deep recession and starting life as a young artist wasn’t easy at all. So when I was offered another modest scholarship from the America Israel Cultural Foundation, I decided to move abroad. I succeeded in bartering with the travel agent for a one-way ticket to London in exchange for a painting of mine. Then I applied to Goldsmiths, an art school in London, and was accepted.In the run-up to my move, America kept capturing my attention: it was always occupying the news. There were anti-Vietnam war protests, human rights demonstrations, hippies and happenings all over the place and the art world was at its peak. In the last minute, I ditched London and resolved to move to the United States instead.America was the Mecca of freedom. Its daring culture was just the right medicine for a 27-year-old art student hungry for adventure. With a one-way ticket and a very limited budget, I chose the west coast.The hippy culture in California excited me, so I chose to live in the Bay Area. I ended up in Berkeley. It wasn’t easy arriving without real connections, barely a few months worth of money and the feeling that my English wasn’t good enough. The only thing that I could depend on was my art. If it would be received well, then I would be too.It was difficult getting by as an art student, so I worked in between my school hours as a handy man, giving art classes to amateur artists and I had a job to take care of a warehouse space in Berkeley. I lived in that warehouse too, which was occupied by other artists and musicians.I graduated in 1974 from the University of San Francisco with a master’s degree, and I was invited to exhibit a one-man show in New York. I had a few art shows in the Bay Area that contributed to me building up my résumé and a small fund to help me out on my return. I saved the money in a safe deposit in a bank in Israel.When the time came to make the big decision about whether I should stay in America or return to Israel, my father informed me that I had been one of the victims of the most famous safe deposit bank robberies in the history of Israel. All my money was gone. That made my decision easier. Once I came to New York City with my first show, I never left.In 1979 I received my citizenship on the basis of being an artist who contributes to the culture of America. In 1980 I got married to Tsipi, a graduate student from New York University. We have a son Yori, who is 29 years old. In 2016, it was announced that my work will be added to the Library of Congress as part of a cultural legacy project, which will preserve it for generations of Americans to come. America made me understand the importance of my heritage, my roots and the journey that brought me here. My art bears the footprints of the cultures that have crossed my life. Forty years later, I am still here.Solo Exhibitions 2020 “The Magnificent Dozen” The Rubin Museum of Art (African Symposium) 2019 ‘‘Lost in Time” Galerie J. J. Heckenhauer, Munich, Germany. 2018 “Sweeping Glances,” Hezi Cohen Gallery, Tel-Aviv, Israel. 2017 “Treasure The Green” Broadway, New York, NY. Commissioned by the Department of Transportation. 2015 “Made in the USA” – Lake Placid Center for the Arts, Lake Placid, NY. 2015 Gallerie Rother-Winter, Wiesbaden, Germany. 2015 “Works from the 70’s” – Chelouche Gallery, Tel-Aviv, Israel. 2014 “Minding the Surface” NYU Kimmel Galleries New York. 2013 “Hidden Traces”, Chelouche Gallery, Tel Aviv Israel. 2013 “Footprints of Identity,” Schmalfuss Gallery Berlin, Germany. 2012 New Works, Galerie Christine Rother, Wiesbaden, Germany (catalogue) 2011 “90 Days of Berlin,” Germany House Gallery, New York, NY, USA (catalogue) 2011 ‘Al Naharot Bavel,’ The Babylonian Jewry Heritage Center, Or-Yehuda, Israel. 2009 Paintings and Photoworks, Gallery 40 Rother, Wiesbaden, Germany. 2008 Traveling Retrospective, Tel-Aviv Museum, Israel, Fall 2008 2007 Industrial Baroque, Painting, Stefan Stux Gallery, New York, N.Y. 2005 90 Days of Berlin: Sculpture, Paintings & Drawings, Stefan Stux Gallery, New York, NY, USA 2004–05 Journey with Me Sculpture, German Embassy, Washington. D.C., USA 2003–04 Splendid Step Sculpture, Dag Hammarskjöld Plaza, New York, NY, USA 2003 Journey with Me Sculpture, Grounds for Sculpture, Hamilton, NJ, USA 2003 Painting and Sculpture, Stefan Stux Gallery, New York, NY, USA 2002 Journey With Me Sculpture 1984-2000, in collaboration with Laumeier Sculpture Park, Washington University School of Medicine, St. Louis, MO, USA 2000 Blue Highway, Haifa Museum, Haifa, Israel 2000 Summer Blue drawings and paintings, ZDF, New York, NY, USA 2000 Journey With Me Sculpture, Ball State University Museum of Art, Muncie, IN, USA 1999 Sculpture and Drawing, Las Vegas Art Museum, Las Vegas, NV, USA 1999 Paintings 1992-1996, Mitchell Museum, Mt. Vernon, IL, USA 1998 Journey With Me Sculpture 1984-1997, Cedarhurst Sculpture Park, Mt.Vernon, IL, USA 1998 Zigi Ben-Haim, And Now public Sculptures, Eretz Israel Museum, Tel-Aviv, Israel 1997–98 Journey With Me Sculpture 1984-1997, Fordham University, Sculpture Garden 1997 Paintings & Drawings, Chelouche Gallery, Tel-Aviv, Israel 1996 Leaf Path, Curated by Maggie Nolan, Ann Harper Gallery, Amagansett, NY, USA 1995 Windows ’95, ZDF German T.V., New York, NY, USA 1994 Benshahn Galleries, WPC Collage, Wayne, NJ, USA 1994 Scattered Echo, Chelouche Gallery, Tel-Aviv, Israel 1989–91 The Dance, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY, USA 1989 Works on Paper, Gallery Andreas Tornberg, Lund, Sweden 1987 Jewish Museum Sculpture Court, New York, NY, USA 1986 Walking Field, Project Room, P.S. 1, Queens, NY, USA 1986 Façade Gallery, Paris, France 1985 Baumgartner Gallery, Washington, DC, USA 1984 Israel Museum, Jerusalem, Israe 1984 Works on paper, Gallery Andreas Tornberg, Lund, Sweden 1980 Annemarie De Kruijff, Paris, France 1978 Munro Gallery, Hamburg, West Germany 1977 Bertha Urdang Gallery, Jerusalem, Israel 1976 Bertha Urdang Gallery, New York, New York, USA 1975 Marquoit Galleries, San Fransisco, CA, USA 1974 California State University, San Fransisco, CA, USA.Selected Group Exhibitions 2022 Meisterwerke, Wiesbaden, Germany. 2021 An Afternoon of Peace, Art, and Understanding, Park Avenue Synagogue, Zoom. 2020 Bertha Urdang: A Gallery of Her Own, The Israel Museum, Jerusalem. 2018 Emerging Escazu Project, W22 Gallery, San Jose, Coast Rica. 2017 50 Years of Public Art in NYC Parks, Central Park, New York, NY. 2016 Denatured, Morris-Jamel Mansion Museum, New York, NY. 2016 From NYC to Berlin, The Art Scouts Gallery, Berlin, Germany. 2016 Nighttouch: 1984 , Carnegie Museum, Oxnard, California. 2015 Art Brussels 2015, Brussels Expo, Brussels, Belgium. 2014 Nighttouch: 1984- Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, CA. 2013 Calligraffiti 1984-2013 Leila Heller Gallery, New York, NY. 2011 Markers VII ‘Mapping’, The International Artists’ Museum, Venice, Italy. 2010 NASA Art: 50 years of Exploration, Washington D.C. 2010 Paintings and Photoworks, Art Hamptons, Artventures Gallery, Bridge Hampton, NY. 2009 Works on Paper, Chelouche Gallery, Tel-Aviv, Israel. 2008 KIAF, Art Fair, Korea. 2008 Photo Miami, Miami, USA. 2007 Gallery Artists, Chelouche Gallery, Tel-Aviv, Israel. 2005 The Kreeger Museum, Washington D.C. 2004 “Sculpture”, Grounds for Sculpture, Hamilton, NJ. “Enchantment” Wave Hill, N.Y. “The International Armory Show”, Stefan Stux Gallery Booth, Pier 90, New York, NY (catalogue) 2003 “Wandering Library”, International Artists’ Museum, Venice, Italy. “Works from the Collection”, Jewish Museum, New York, NY. “The International Armory Show”, Stefan Stux Gallery Booth, Pier 90, New York, NY (catalogue) 2002 “Spirit of New York”, 25 NY artists, 55 Wall St., New York, NY. “Reactions”, Exit Art, New York, NY. 1999 “Works from the 70s”, Tel-Aviv Art Museum, Israel. 1998 Chelouch Gallery, Tel-Aviv, Israel. “Small Paintings”, Wainscott Gallery, Wainscott, NY. 1996 “Paper”, Wainscott Gallery, Wainscott, NY. “Blue & White”, Binet Gallery, Tel-Aviv, Israel. 1995 “Works of the ’70’s”, Chelouche Gallery, Tel-Aviv, Israel. 1994 Basel International Art fair, Basel, Switzerland. 1993 “Action Traces”, Chelouche Gallery, Tel-Aviv, Israel. “Monumental Propaganda”, ICI Traveling Show, USA/Russia. Sculpture Biennale, Ein Hod, Israel (catalogue) “Drawing”, B4A Gallery, New York, NY. 1992 “Invitational”, Bill Base Gallery, New York, NY. 1991 Art Cologne, Chelouch Gallery, Cologne, Germany. “Collage: New Applications” curated by William Zimmer, Lehman College Art Gallery, New York, NY. 1990 “Drawings”, Anita Shapolsky Gallery, New York, NY. 1989 “From the Frederick Weisman Collection”, Neuberger Museum, New York, NY. “Art Aluminum”, Muse Le Technigue, Montreal, Canada. 1988 “Embodiment Personification”, Art In General, New York, NY. New Jersey Center for Visual Arts, Summit, NJ. “The Candor of Form”, 1 World Trade Center, New York, NY. Bali Miller Gallery, New York, NY. Nina Freudenheim Gallery, New York, NY. 1987 56 Bleecker Street Gallery, New York, NY. “Constructs”, Anita Shapolsky Gallery, New York, NY. 1986 “Paper Now”, Cleveland Museum, Cleveland, Ohio. Snug Harbor, Outdoor Sculpture, Staten Island, NY. “Transculture Transmedia”, Exit Art Gallery, New York, NY. “Monumental Drawings: Works by 22 Contemporary American Artists”, Brooklyn Museum, Brooklyn, NY. 1985 “Public Art in the Eighties” curated by Jean E. Feinberg, Jamie Szoke Gallery, New York, NY. “From the Museum Collection”, Brooklyn Museum, Brooklyn, NY. “Art & the Environment”, Lever House, New York, New York. 1985-87 “2nd International Shoebox Sculpture”- traveling exhibition, University of Hawaii Art Gallery, Honolulu, Hawaii (catalogue) 1985-86 “Immigrant Artists/ American Experience 1940-85”- traveling exhibition, Independent Curators Inc. (catalogue) 1984-89 Frederick R. Weisman Foundation for Traveling Art Exhibitions (catalogue) 1983-85 “Groovy Grove – Sculpture on Shoreline Sites”, A.R.E.A. Project Wards Island, NY (catalogue; via NYS Council For The Arts Grant) 1983 “Ornaments as Sculpture”, Sculpture Center, New York, NY. C.D.S. Gallery, New York, NY (catalogue) 1983 Blackfish Gallery, Drawings, Portland, Oregon. Nina Freudenheim Gallery, Buffalo, New York. Tel-Hai, Contemporary Art Meeting, Israel (catalogue) Bayer Museum, Evanston, Illinois. U.S.A. Today Newspaper Company, Washington D.C. (catalogue) “Varieties of Sculptural Ideas, Drawings & Maquettes”, Max Hutchinson Gallery, New York, NY. 1982 “The New Explosion: Paper Arts”, Fine Arts Museum of Long Island, Hampstead, NY (catalogue). “Pair Group”, Jersey City Museum, Jersey City, NJ. International Sculpture Conference, Speaker & Exhibitor, Oakland Museum, Oakland, CA. Israel Museum, Jerusalem, Israel. Max Hutchinson Gallery, New York, NY. Arteder 82, Muestra International de Obra Grafica, Bilbao, Spain (catalogue). 1981 Gallery Mors Moessa, Gothenburg, Sweden. “Wall Paper / Roompaper”, Laica, Los Angeles, CA. Basel International Art Fair, Basel, Switzerland. Tel-Aviv Museum, Tel-Aviv, Israel. “The Work of Twenty Contemporary Artists”, Museum of Fine Arts, Springfield, MA. 1980 Basel, International Art Fair, Basel, Switzerland. “With Paper About Paper”, Albright-Knox Art Gallery, Buffalo, NY (catalogue). “Forecast of the Season”, Touchstone, New York, NY. 1979 Basel, International Art Fair, Basel, Switzerland. Gallery Loyse Oppenheim, Nyon, Switzerland. Israel Museum, Jerusalem, Israel. Art Gallery of Ontario, Toronto, Canada. Alexandra Monett, Brussels, Belgium. 1978 Touchstone Gallery, New York, NY. International Kunstmarkt, Düsseldorf, West Germany. “Six Artists”, Sara Levi Gallery, Tel-Aviv, Israel. “Notebook”, Gordon Gallery, Tel-Aviv, Israel (catalogue) “Location/Direction/78”, Rammi Nechoshtan Museum, Israel (catalogue) Basel International Art Fair, Basel, Switzerland (catalogue) “Work with Paper”, Alexandra Monett Gallery, Brussels, Belgium. “Paper”, The Dayton Art Institute, Ohio (catalogue) The Ohio State University Gallery, Columbus, Ohio. Davis Art Gallery, Akron, Ohio (catalogue) 1977 “New Acquisitions”, Tel-Aviv Museum, Tel-Aviv, Israel. Marianne Deson Gallery, Chicago, Illinois. Bertha Urdang Gallery, New York, NY. 1975 Northeastern University, Boston, MA.Selected Outdoor Public Sculpture “Beyond the Halting Step of Deeds”, Derfner Judaica Museum, Bronx, NY, USA. “Tribute to Ilan and Asaf Ramon”, Timna, Eilat International Airport, Israel. “Treasure the Green,” New York Department of Transportation, Broadway, SoHo, NY, USA. “Awakening Spot”, Guild Hall Museum, East Hampton, NY, USA. “The King in Search of a Friend”, Sculpture Park, Holon, Israel. “Splendid Step”, Dag Hammarskjold Plaza, New York, NY, USA. “Vintage Breeze,” IDC Herzelia University, Israel. “D-204,” IDC Herzelia University, Israel. “Beyond the Horizon” Bank Leumi, Miami Florida, USA “Night Sail,” Private Sculpture Garden, Hudson, NY, USA. “Sidewalk Scene,” Grounds for Sculpture, Hamilton, NJ, USA. PoeTree, President, Tel-Aviv, Israel. PoeTree, The Chaim Sheba Medical Center, Israel. PoeTree, A sculpture garden, Valbonne, France. “Photoworks,” Heart Center, Chaim, Sheba Medical Center, Israel. “Born To Be Up There” IDC University, Herzelia, Israel “On the Main Road”, Ra’anana, Israel. “Three Musketeers” Topor Sculpture Garden, The Chaim Sheba Medical Center, Israel “Sea of Time”, Ashkelon, Israel. “The Bright Side of Tomorrow”, School, Gates and Fences, Ma’ale Hacdomim, Israel. “Jacob’s Ladder” Eilat, Israel. “Desert Knight” Mitspe Ramon, Israel “Chariot of Time”, University of Maryland, College Park, MD, USA. “The Dance”, Art Acres Sculpture Park, Boca Raton, FL, USA. “A Note in the Green”, Mishan, Neot Afeka, Tel-Aviv, Israel. “Legion of Titans”, Tel-Hai, Israel. “Beyond the Halting Step of Deeds”, Riverdale, NY, USA. “Rolling Rock”, River Hill Sculpture, Livingstone, NJ, USA. “Wind Hunter”, Jerusalem, Israel. “Rising Path”, Phillip Berman Museum, Ursinus College, Coegevie, PA, USA. “Blooming Stone”, Frederick Weisman Foundation of Art, Mitspe Ramon, Israel Los Angeles, CA, USA. Inside Growth, D-176, Israel. “D-183a,” Community Center Adath Jeshrun, Philadelphia, PA, USA. Works in Public Collections Guggenheim Museum, New York, NY. Brooklyn Museum, Brooklyn, NY. Museum of Contemporary Art, Athens, Greece. Hofstra University Museum, Hempstead, NY. Columbia Museum of Art, Columbia, SC. Israel Air Force Center Foundation, Tel-Aviv, Israel. NASA, Houston, Texas. Bank Leumi USA, Fifth Avenue, New York, NY. Pfizer Company Collection, New York, NY. Reading Public Museum, Reading, PA. Haifa Museum, Haifa, Israel. Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY. New School, New York, NY. University of Maryland, College Park, Maryland. Israel Museum, Jerusalem, Israel. Malmo Museum, Malmo, Sweden. Jewish Museum, New York, NY. Tel-Aviv Museum of Art, Tel-Aviv, Israel. Ghent Museum, Ghent, Belgium. American National Gallery, Washington D.C. Fine Arts Museum of Long Island, Hempstead, NY. Buscaglia-Castellanni, University Museum, Lewiston, NY. Dan Eilat Hotel, Israel. International Paper Company, New York, NY. World Bank, Washington D.C. Davis Polk & Wordwell, New York, NY. Westminster Bank, New York, NY. Israel Embassy, Washington D.C. Frederick R. Weisman, Los Angeles, CA. Rikers Hill Sculpture Park, Livingston, NJ. Heckscher Museum, Huntington, NY. Allen Memorial Art Museum, Oberlin College, Oberlin, OhioPayment Methods: PayPal, Credit Card (Visa, Mastercard), Bank Cheque. If you wish to send a personal cheque, please note that the item will not be shipped until the cheque clears. Shipping&Handling: All items are sent through registered mail or by E.M.S. Fast delivery service (up to 4-5 business days), depends on the weight and measures of the purchased item. You may add insurance for the item with an additional fee. Please e-mail us for other shipping methods. In case that the frame includes a glass, the item will be shipped without the glass in order to prevent any damage to the artwork caused by broken glass: be aware that such kind of a damage is not covered by the insurance! Terms of Auction: All sales are final, please only bid if you intend to pay. Refunds will be accepted only if the item is not as described in the auction. ISRAELI BUYERS MUST ADD 17% V.A.T. TO THE FINAL PRICE. Artshik provides full assurance that all items sold are exactly as described! We guarantee all items we sell are 100% authentic! View more great items
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